I'm having a hard time staying indoors working a bit today, as it's one of those very rare days in Austin that we call "Santa Fe" weather - cool, sunny, dry, and beautiful.
Anyway, I've worked a little bit on this pumpkin, but for some reason couldn't get a clear picture of it today.
The first photo is from yesterday, where you can see by the lower arrow where I stopped going up on the weft threads in order to meet the line going down the warp when I get there.
The arrow on the left at the line of stitching shows the basketweave progressing down to that point. When it comes on down to where I stopped - it will make a smooth line without a break to distract the surface. Easy to do if one is always conscious of going DOWN on the warp, and UP on the weft. It becomes second nature, and also won't warp the canvas.
The second picture is blurry - but I tried it twice, and don't want to spend any more time today taking pictures - there is sunshine outside, and I have a lot of work to do inside. However, this one shows more clearly how nice the blending filament looks on his features - looks like flickering candle, I think.
The background has just a hint of shimmer, as I used the YLI ribbon floss shimmer blend in basketweave - only basketweave, as a textured stitch here would overshadow and distract from the central design.
I've just played around with this from time to time, and originally thought to make it a ball to sit on a table or shelf at the "season" - but just left it square, as I'm too lazy to plot the larger circle on the outside - should have done that before doing the smaller inner circle.
I decided a bit of bargello would be in order, as I purchased a card of Rainbow Gallery Petite Frosty Rays in black with a gold filament running through it - so had to find an excuse to use it. I do hope Liz Morrow isn't watching me and having a heart attack, as I made a really bad error in judgment and counting where the arrow is - bad job!! Oh well. I'm not the expert she is.